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Diagonal Life: Theory and Praxis

 

“Diagonals are created from the leaning power of hurt verticals,” says Peter Schumann, founder and director of Bread and Puppet Theater.

 

We inhabitants of Western modernity are no strangers to verticality, from the architecture of our cities, to the “ladder(s) of success” we’re asked to scale, to the incessant wakefulness required of us, postponing the horizontal pleasures of sleep. Bread and Puppet’s Diagonal Life presents the diagonal as a potent and promising opposition to the dominating verticality of our culture. Puppeteers long ago realized that the most aesthetically radical movements for puppets are diagonals, because these movements are cannot be sustained by human actors or dancers for more than a moment. (Gymnasts upsidedown themselves frequently and with ease, but diagonal positions remain inaccessible without the use of puppet.)

 

Diagonal Life brings all the bewildering, beguiling, and downright funny possibilities and implications of diagonality to life with song, dance, magic, mechanism, and stunning cardboard and paper maché puppets painted in Peter Schumann’s exuberant, slapdash expressionist style.

 

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The Diagonal Life Circus and The Normality Rebellion Pageant

Bread & Puppet Jul 17, Glover, VT.

 

Bread and Puppet begins its summer season with weekly performances of The Diagonal Life Circus & Normality Rebellion Pageant starting on July 7th. These shows explore the generic verticality that we as individuals and as a society participate in, and present the diagonal as an alternative to that verticality. According to Bread and Puppet director, Peter Schumann, “Diagonals are created from the leaning power of hurt verticals,” and the Circus & Pageant speak to this by displaying the power of hurt verticality.

 

The shows will be performed outdoors, with the circus occurring in a natural amphitheater made from a grown-over sand quarry and the pageant in the spaces around the top of the amphitheater, which include a pine forest and an expansive field. The circus is accompanied by live music, from fiddle to brass band and Georgian songs to Dixieland Jazz. The circus company is made up of 50-100 puppeteers, who work together to combine their skills and personal passions into many several-minute acts that, when placed back-to-back, make up the show. The pageant is a longer, more abstract piece that interacts thoughtfully with the landscape and audience to give a sense of closure after the speed and excitement of the circus.

 

The day begins with side-shows at 2p.m. in the circus field, with the circus field store open for purchase of posters, banners, books, and postcards. The circus begins at 3p.m., signalled by the opening brass band tunes and the traditional first flag act. After the circus at around 4p.m., audience members are directed towards the beginning of the pageant, which runs for another hour until 5p.m. At that point, fresh-baked rye bread and aioli are served in the bread house in the field, and guest performances take place in the Paper-Maché Cathedral when the museum bell rings. Throughout the day, the circus field store, museum store, and cheap art bus remain open and selling posters, banners, books, and postcards. The event in total runs from 2p.m. to around 6p.m.

 

Bread and Puppet begins Circus & Pageant performances alongside Friday Night Shows in the Paper Maché Cathedral, Shape-note Sings on Tuesdays, and a smattering of Circus performances in various locations around New England. All performances are by cash or check donation with no-one turned away for lack of funds. The puppet museum is open from 10a.m. to 6p.m. daily in the summer, and the museum store and cheap art bus are open and self-serve by the honor system.

 

The Circus & Pageant run every Sunday through August 25th at the Bread and Puppet Theater, 753 Heights Road, Glover, VT. Parking is in the circus field for the show, with accessible parking spaces available on request. Dogs are welcome if they are well-behaved and leashed, and kids generally enjoy the show as much as adults. The suggested donation for all shows is $10-20, but no-one will be turned away – we would much rather have audience members than money.

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Announcing the 2018 SPRING TOUR! New England, New York, Baltimore, Philadelphia, DC

 

Bread and Puppet Theater will tour the Northeast, with shows in all of the New England states, as well as New York, Baltimore, Philadelphia, and Washington DC!

 

We will be performing two brand new shows, The Basic Byebye Show and Cantastorias from the Possibilitarian Arsenal!

 

Check out our touring page for a detailed schedule and our Facebook page for updates!

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Bread and Puppet Exhibit up until March 2nd in South Royalton, VT

Post-Apocalyptic Woodcuts by Peter Schumann

of Bread and Puppet Theater

Post-Apocalypse for 3/4 Empire

January 15 – March 2

White River Gallery

 

Inspired by Albrecht Durer’s 1495 apocalypse woodcuts, Peter Schumann cut this

series in masonite in the early months of 2017. Lila Winstead added assemblages of

carved words, from the Bread and Puppet print shop archives, and printed them

on large muslin fabric. These Post-Apocalyptic woodcuts for the 3/4 Empire address the brand-new horror of our own Empire Boss, who threats to eliminate whole countries for non-compliance with Empire politics.

 

Opening Reception February 3, 2-5 pm

with performance by Peter Schumann & Co. at 2 pm (snow date, February 10)

 

Admission by Donation, Bread & Aoli served

Cheap Art, Bread and Puppet Press publication, including the brand new 3/4 Empire

Books, and Exhibit Banners (limited edition) will be for sale

 

White River Gallery

35 S. Windsor St., South Royalton, VT 05068

  1. 498.8438

Monday-Friday, 10-4

And by appointment, contact Gallery Director, Dian Parker: [email protected]

 

https://balevt.org/white-river-gallery/

https://www.facebook.com/southroyaltonvt/